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It is hard to know whether a particular image may be intended to seem sad or terrifying (or neither, or even nothing), for this is a subjective matter on which an outsider may often be mistaken. But in these carvings there is no mistaking the energy and playfulness with which the human body is turned, by confident distortion, into such a gallery of wonderful creatures.
It is not surprising that Picasso, the most playful genius of the 20th century, is inspired by these fragmentations of dull reality to find a new direction of his own in cubism.
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