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| 1913 |
| | | The foxtrot, possibly introduced by US performer Harry Fox, becomes an immensely popular ballroom dance | |
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| 1915 |
| | | Manuel de Falla's ballet El Amor Brujo, including the 'Ritual Fire Dance', is performed in Paris | |
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| 1917 |
| | | Parade brings together Massine (choreography), Satie (music), Cocteau (libretto) and Picasso (sets and costumes) | |
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| 1917 |
| | | Manuel de Falla's ballet The Three-Cornered Hat is produced by Diaghilev with choreography by Massine and designs by Picasso | |
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| 1919 |
| | | Léonide Massine, Ottorino Respighi and André Derain collaborate on the ballet La Boutique Fantasque | |
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| 1919 |
| | | Darius Milhaud provides the score for Jean Cocteau's pantomime ballet Le Boeuf sur le toit | |
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| 1920 |
| | | Marie Rambert, a Polish dancer with the Ballets Russes, opens a ballet school in London | |
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| 1922 |
| | | The Broadway show Ziegfeld Follies features an exciting new dance, the Charleston | |
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| 1923 |
| | | Albert Roussel's opera-ballet Padmâvâti is premiered in Paris | |
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| 1924 |
| | | Le Train Bleu brings together Bronislava Nijinska (choreography), Darius Milhaud (music), and Coco Chanel (costumes) | |
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