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| | | | Dance |
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| 1912 |
| | | Daphnis and Chloe, with choreography by Fokine, music by Ravel and designs by Bakst, is premiered by the Ballets Russes in Paris | |
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| 1912 |
| | | The Berlin Opera Ballet is founded to perform in the city's new opera house | |
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| 1913 |
| | | Igor Stravinsky and Vaslav Nijinsky provoke uproar in Paris with The Rite of Spring for Ballets Russes | |
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| 1913 |
| | | Vaslav Nijinsky marries a Hungarian ballerina and is dismissed from the Ballets Russes by a jealous Diaghilev | |
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| 1913 |
| | | The foxtrot, possibly introduced by US performer Harry Fox, becomes an immensely popular ballroom dance | |
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| 1915 |
| | | Manuel de Falla's ballet El Amor Brujo, including the 'Ritual Fire Dance', is performed in Paris | |
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| 1917 |
| | | Parade brings together Massine (choreography), Satie (music), Cocteau (libretto) and Picasso (sets and costumes) | |
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| 1917 |
| | | Manuel de Falla's ballet The Three-Cornered Hat is produced by Diaghilev with choreography by Massine and designs by Picasso | |
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| 1919 |
| | | Léonide Massine, Ottorino Respighi and André Derain collaborate on the ballet La Boutique Fantasque | |
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| 1919 |
| | | Darius Milhaud provides the score for Jean Cocteau's pantomime ballet Le Boeuf sur le toit | |
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