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| 1909 |
| | | Michel Fokine becomes the choreographer for the ballet company that Sergei Diaghilev is taking to Paris | |
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| 1909 |
| | | Alexandre Benois becomes the first artistic director of Diaghilev's Ballets Russes | |
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| 1909 |
| | | Diaghilev presents the first season of Ballets Russes in Paris, with Pavlova and Nijinsky in the company | |
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| 1909 |
| | | Fokine's 1907 ballet Chopiniana is revised and given a new name, Les Sylphides | |
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| 1909 |
| | | Set-designer Leon Bakst begins a long association with Diaghilev's Ballets Russes | |
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| 1910 |
| | | Schéhérazade, with choreography by Fokine, music by Rimsky-Korsakov and designs by Bakst, is premiered by the Ballets Russes in Paris | |
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| 1910 |
| | | The Firebird brings together Fokine (choreography), Stravinsky (music) and Golovine and Bakst (sets and costumes) | |
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| 1911 |
| | | Russian ballerina Anna Pavlova settles in London and forms her own touring company | |
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| 1911 |
| | | Le Spectre de la Rose, with choreography by Fokine, music by Weber and designs by Bakst, is premiered by the Ballets Russes in Monte Carlo | |
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| 1911 |
| | | The ballet Petrushka brings together Fokine (choreography), Stravinsky (music) and Benois (sets and costumes) | |
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