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| c. 1615 |
| | | The Mughal school of painting reaches a peak of perfection in the reign of Jahangir | |
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| 1618 |
| | | The Teatro Farnese in Parma is the first to have a proscenium arch, framing perspective scenery painted on flat wings | |
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| 1618 |
| | | The 19-year-old Flemish painter Anthony van Dyck is employed by Rubens in Antwerp as his chief assistant | |
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| c. 1620 |
| | | The Dutch painter Frans Hals displays exceptional brilliance in his group portraits, including several of the civic guards of Haarlem | |
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| c. 1620 |
| | | Delft becomes the centre for tin-glazed earthenware in nothern Europe, specializing in the blue-and-white Chinese style | |
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| 1622 |
| | | Bernini's youthful Pluto and Proserpina, suggesting soft flesh in cold marble, introduces the lively tradition of baroque sculpture | |
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| 1622 |
| | | The Flemish painter Anthony van Dyck begins a five-year stay, and a successful career as a portrait painter, in Genoa | |
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| 1623 |
| | | Diego Velazquez becomes court painter to the king of Spain - a post which he will hold for the remaining thirty-seven years of his life | |
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| 1624 |
| | | Nicolas Poussin arrives in Rome, where he develops the tradition of French classicism | |
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| 1625 |
| | | Rubens completes a great narrative sequence of twenty-one paintings to celebrate the achievements of Marie de Médicis | |
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