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| 1429 |
| | | Joan of Arc wins her way into the presence of Charles VII at Chinon and persuades him, eventually, to trust her | |
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| 1429 |
| | | Joan of Arc leads French forces in the successful relief of Orléans | |
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| 1429 |
| | | Joan of Arc stands nearby while Charles VII is anointed at Reims, then kneels before him and for the first time calls him her king | |
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| 1430 |
| | | Joan of Arc is captured in a skirmish with the Burgundians, who subsequently hand her over to the English | |
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| 1430 |
| | | Work begins in Florence on Brunelleschi's Pazzi chapel, which encapsulates in miniature the new ideals of Renaissance architecture | |
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| c. 1430 |
| | | Robert Campin, also known as the Master of Flémalle, brings to Flemish painting a natural and everyday quality which is entirely new | |
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| 1431 |
| | | Joan of Arc, tried by the Inquisition on behalf of the English in Rouen, is burned at the stake as a relapsed heretic | |
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| 1432 |
| | | A new altarpiece is installed in the cathedral in Ghent, introducing the powerful realism of Jan van Eyck | |
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| 1433 |
| | | The Compacts of Prague, agreed with the papacy in 1433, allow the Hussite laity to receive the sacrament in both kinds | |
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| 1433 |
| | | Cosimo de' Medici, arrested by a rival faction, escapes with his life thanks to bribes and well-placed friends | |
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