|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Britain's Royal Academy |
|
1768 |
|
|
|
|
Goya marries the daughter of Francisco Bayeu, the leading artist at the Spanish court |
|
1773 |
|
|
|
|
Gainsborough moves to London |
|
1774 |
|
| Gainsborough The Morning Walk (detail), c.1785 National Gallery, London Enlarge on linked site
More Images
|
|
|
Goya designs tapestries |
|
1775 |
|
| Goya A Picnic (detail) c.1790 National Gallery, London Enlarge on linked site
|
|
|
Vigée-Lebrun succeeds as portrait painter |
|
1778 |
|
| Vigée Le Brun Self Portrait (detail) c.1783 National Gallery, London Enlarge on linked site
|
|
|
Thomas Jones moves briefly to Naples |
|
1780 |
|
| Jones A Wall in Naples (detail) c.1782 National Gallery, London Enlarge on linked site
|
|
|
Gainsborough holds London exhibition of his landscapes |
|
1780 |
|
| Gainsborough The Market Cart (detail) 1786 National Gallery, London Enlarge on linked site
|
|
|
David in French academy |
|
1783 |
|
|
|
|
Goya established as leading portrait painter |
|
1783 |
|
| Goya Doņa Isabel de Porcel (detail) 1803 National Gallery, London Enlarge on linked site
|
|
|
Gainsborough depicts a fashionable morning walk |
|
c. 1785 |
|
|
|
|
Goya employed by Spanish king |
|
1786 |
|
|
|
|
David sketches in tennis court |
|
1789 |
|
|
|
|
21-year-old Lawrence commissioned to paint the queen |
|
1789 |
|
| Lawrence Queen Charlotte (detail) National Gallery, London Enlarge on linked site
|
|
|
Vigée-Lebrun escapes from France, where she is in danger from her royal connections |
|
1789 |
|
|
|
|
Goya retained at court |
|
1789 |
|
|
|
|
|
|
1790 |
|
|
|
|
|
|
1790 |
|
| David Jacobus Blauw (detail) c.1795 National Gallery, London Enlarge on linked site
|
|
|
15-year-old Turner in Royal Academy |
|
1790 |
|
|
|
|
Goya becomes deaf, after which fantasy becomes an important part of his subject matter |
|
1792 |
|
| Goya El Hechizado por Fuerza (detail) 1798 National Gallery, London Enlarge on linked site
|
|
|
Turner, aged 21, exhibits an oil at the Royal Academy |
|
1796 |
|
| Turner Sun rising through Vapour (detail) c.1806 National Gallery, London Enlarge on linked site
|
|
|
David paints heroic exploits of Napoleon |
|
1801 |
|
|
|
|
Constable acquires a studio close to his home in Suffolk |
|
1802 |
|
| Constable The Corn Field (detail) 1826 National Gallery, London Enlarge on linked site
More Images
|
|
|
Turner begins to paint landscapes in the classic manner, consciously modelling himself on Claude Lorraine |
|
c. 1803 |
|
| Turner Dido building Carthage (detail) 1815 National Gallery, London Enlarge on linked site
|
|
|
Ingres moves to Rome |
|
1806 |
|
| Ingres Monsieur de Norvins (detail) 1812 National Gallery, London Enlarge on linked site
|
|
|
Friedrich works for the first time in oils |
|
1807 |
|
| Friedrich Winter Landscape (detail) 1811 National Gallery, London Enlarge on linked site
|
|
|
Peninsular War begins |
|
1808 |
|
|
|
|
Goya becomes embroiled in war |
|
1808 |
|
| Goya Duke of Wellington (detail) 1812 National Gallery, London Enlarge on linked site
|
|
|
Vigée-Lebrun returns to Paris |
|
1809 |
|
|
|
|
Gericault makes his debut in Paris |
|
1812 |
|
| Gericault Horse frightened by Lightning (detail) c.1814 National Gallery, London Enlarge on linked site
|
|
|
David moves his studio Brussels |
|
1815 |
|
| David Comtesse Vilain XIIII and her Daughter (detail) 1816 National Gallery, London Enlarge on linked site
|
|
|
Constable marries Maria Bicknell and they honeymoon in Dorset |
|
1816 |
|
|
|
|
|
|